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cekyophr5
Posted: Tue 14:06, 05 Nov 2013
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Posted: Sat 18:39, 02 Nov 2013
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Submitted 2011-11-14 17:33:57 For all the fancy new technology mediums weve developed over the past century, writing remains the core skill that feeds all other forms of communication, the bedrock upon all other communication is constructed.
Radio executives will argue the spoken word and sound effects cannot be beat.
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Orators will naturally cite great speakers such as Winston Churchill, Martin Luther King Jr., Ronald Reagan and Barack Obama and point to examples of how they moved the masses and changed the course of history with their speeches, their calls to action, their inspiration.
True enough. Barack Obama serves as a good example for the validity of my argument. The president always delivers his speeches using a teleprompter because hes reading text. The speech is carefully written before he ever steps to the lectern and is fastidiously adhered to during its delivery. If not for the word-craft of President Obama and his speechwriters, his skill as an orator would be greatly diminished. Obama repeatedly made the point during his presidential run that words have power.
We know the same is true of President Reagan, who relied on the speechwriting skills of Peggy Noonan and others to deliver his powerhouse speeches. Martin Luther King Jr. wasnt extemporizing at the podium and neither was Winston Churchill during their historic presentations. They carefully penned those speeches, paying strict attention to every word, turn of phrase, transition and the overall structure of the speech. Indeed, Winston Churchill also authored many books and famously said, History will treat [url=http://www.corsodiesperanto.it/moncleroutlet/]moncler outlet[/url] me kindly because I intend to be the [url=http://www.wtspcy.com/plus/view.php?aid=32560]www.corsodiesperanto.it/peuterey.php Your Headline[/url] one who writes it. Churchill was a prolific writer with many books to his credit.
Churchill knew the written word lasts forever in its many forms.
Movies whether classics or duds begin with the formation of words in the screenwriters or directors mind. A concept takes shape, and then the screenplay must be written. It is the quality of the screenplay that is [url=http://www2u.biglobe.ne.jp/~tk1054/yybbs/yybbs.cgi]hogan outlet Assassinat d'Ant[/url] the chief determinant of the movies fate.
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Think of great TV series like All in the Family, M*A*S*H, Hill Street Blues and Seinfeld. Their success was driven by quality of the shows writers. Good luck getting a decorated actor to agree to a script that doesnt offer memorable or distinguishing lines and characters. (Okay, Ill acknowledge that its not unusual for a big-name actor to take to a $20 million payday [or should I say bribe?] to act in a movie they know is doomed to be a stinker.) Seinfeld, the TV show that was famously about nothing, was driven by quality concepts, vivid characters and scintillating dialogue.
Radio personalities Garrison Keillor and Howard Stern werent flying by the seat of their pants while the microphone was hot. They were [url=http://www.hikershome.com/home.php?mod=space&uid=51218][/url] supported by the written word because they wanted to make sure they would be delivering some signature lines during their broadcasts, something memorable that their listeners would share with others. It is only when people repeat what they see and hear that a program takes on true status.
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The printed word has no equal for speed and versatility. Just try skimming or "speed-reading" a podcast or video. Writing fires the imagination while video supplies all the components and leaves nothing to the imagination. And, as philosophers have noted, it is only in mans imagination that he is truly free.
Who would have believed that children would be reading tomes the length of the Harry Potter series? You cannot replicate the intimacy, character development and adventure of storytelling with anything less than the careful considerations of the written word.
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