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‘Toy Story 3' isn't just for kids -- it's for adults who remember what it's like to be kids. It's both the best film of an already great franchise and our unanimous pick for the best movie of 2010. By now you’d think we’d have this love thing pretty well defined. Shakespeare seemed to have the emotion, in all its many forms, nailed down nearly five hundred years ago. We know that love can be romantic, passionate, and lustful, the way it is when you’ve fallen for someone new. Love can be protective and patient, as it is between a parent and a child. Love can be loyal and true, dependable and kind, the way [url=http://www.jeremyparendt.com/Barbour-Paris.php]barbour france paris[/url] it is between close friends. After thousands of years as a species there shouldn’t any surprises left inside the heart of mankind, but I think Pixar has discovered something Shakespeare missed.You can download the related movies to watch on ipad, use this ipad movie converter enjoying the best movie is a good choice.
In Toy Story 3, a story that’s been decades in [url=http://www.riad-marrakesh.fr]abercrombie pas cher[/url] the making finally comes to completion, and culminates not in a fight scene [url=http://www.mquin.com/pjsdoudoune.php]doudoune parajumpers[/url] or a stirring speech, but in what feels like a new kind of love. The Toy Story franchise ends in a few perfect moments, a final goodbye, a last expression of that new, heart-wrenching feeling. What do I call this lump in my throat? Can we really love an inanimate object as truly as Andy seems to love Woody? Can an inanimate object love us back? Toy Story 3 makes a rather convincing case for the affirmative. Does it really matter? It feels like it does.
In the previous two movies we saw what happened when the toys were separated from Andy: ever loyal they fought to get back. Toy Story 3 introduces something wholly new into the equation though and lets them wonder whether they should go back, when there’s no one to go back to. Now much depleted in numbers, Andy’s toys seem more developed than ever before. Woody’s the movie’s star, but you’ll get to know characters like Hamm and Mrs. Potato Head better than you ever have before. That seems wholly appropriate, in a movie that feels as more like a loving goodbye to something special and magical, than just another new adventure.(If you want to know how to transfer video to ipad or how to get flash on ipad, you can enter the free website_ YouTube).Ok, let’s continue the topic ‘love’.
But here what I want to say that’s the spirit that technology is now taking out of our world. It says: That spirit of imagination hasn’t gone out of our world — it’s there every time a child picks up an inanimate object of fun and sees, feels, experiences the hidden life in it. The fact that the movie’s snips-and-snails-and-puppy-dog-tails collection of [url=http://www.thehygienerevolution.com/hollister.php]www.thehygienerevolution.com/hollister.php[/url] ’60s, ’70s, and ’80s objects have passed from Andy [url=http://www.lotogame.fr/louboutin-pas-cher/]louboutin pas cher[/url] to Bonnie makes its own statement. It’s saying that girls now own the keys [url=http://www.dearilievi.it]moncler outlet[/url] to the rough-and-tumble imaginative kingdom as proudly as boys [url=http://www.fayatindia.com/giuseppe-zanotti.html‎]www.fayatindia.com/giuseppe-zanotti.html‎[/url] once did. In its way, it’s a passing of the torch.
But for the girl, like me, who grew up with cowboys and soldiers and spacemen and Mr. Potato Head and a Barrel of Monkeys, there’s something deeply special and transporting about seeing those toys [url=http://www.par5club.com/louboutin.php]louboutin pas cher[/url] find a second life in the new century. It says that they — and we — are going to be okay. As long as we remember that our inner child isn’t what we’re told, but what we invent.
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