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b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
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THERE IS ONLY ONE STORY
c) Gives you a tangible process for building and releasing dissonance (establishing [url=http://www.gotprintsigns.com/abercrombiepascher/‎]abercrombie soldes[/url] and achieving catharses, of which there are usually four).
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Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.
THE HERO'S JOURNEY:
The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) [url=http://www.thehygienerevolution.com/hollister.php]hollister[/url] are based on this 188+ stage template.
*****Major and Minor First Threshold Guardians*****
[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) [url=http://www.riad-marrakesh.fr]abercrombie pas cher[/url] to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
There are a number of guardians present in every successful story. There is a myth that the First Threshold Guardian is he who [url=http://www.par5club.com/louboutin.php]louboutin[/url] allows entry to the First Threshold, yet this is only the minor First Threshold Guardian. The major First Threshold Guardian is [url=http://www.thehygienerevolution.com/hollister.php]hollister france[/url] that character (or characters) that accompanies [url=http://www.fibmilano.it]woolrich outlet[/url] the hero through the First Threshold (and sometimes even the Belly of the Whale) [url=http://www.teatrodeoro.com/hollisterde.php]hollister[/url] and who the hero must overcome before he (or she) is allowed onto the Road of Trials and the deeper Transformation (the dissolving away of the Old Self). In [url=http://www.rtnagel.com/airjordan.php]jordan pas cher[/url] Spartacus (1963), Spartacus must overcome Marcellus before [url=http://www.rtnagel.com/louboutin.php]louboutin[/url] he is free and allowed to build his army. In The Godfather (1972), Michael must overcome Sollozo before he is allowed to proceed to Sicily where his Old Self dissolves away. In Scarface (1983), Tony must overcome the Colombians and Omar before he is allowed to proceeed onto the task of robbing Frank of his kingdom.
d) Gives you a [url=http://www.gotprintsigns.com/abercrombiepascher/‎]abercrombie pas cher[/url] universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.
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